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Honoré Daumier Trivia Questions

How much do you really know about Honoré Daumier? Below are 8 true or false statements. Click each one to reveal the answer and explanation.

1.

Daumier was once imprisoned for a political cartoon mocking King Louis-Philippe.

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Medium
✓ TRUE

In 1832, he was sentenced to six months in prison for his lithograph 'Gargantua,' which depicted the king as a giant devouring the wealth of the people.

2.

Daumier was a close friend of Vincent van Gogh and gave him painting lessons.

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Medium
✗ FALSE

Daumier died in 1879, when van Gogh was only 26 and just beginning his art career. They never met.

3.

Daumier’s famous painting 'The Third-Class Carriage' was commissioned by the French government.

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Medium
✗ FALSE

It was never a commission. Daumier painted it as a personal social commentary on class disparities in 19th-century France.

4.

Daumier was primarily a sculptor who only turned to lithography late in life.

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Medium
✗ FALSE

He started as a lithographer in his youth and only later also sculpted. Lithography was his main medium from the 1830s onward.

5.

Daumier’s caricature of the French legal system in 'Les Gens de Justice' made him a hero to lawyers.

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Hard
✗ FALSE

The series harshly mocked lawyers as corrupt and pompous, so he was actually despised by many in the legal profession.

6.

Daumier created over 4,000 lithographs during his career, many for French newspapers.

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Hard
✓ TRUE

He was incredibly prolific, producing around 4,000 lithographs plus hundreds of paintings and sculptures, mostly for 'La Caricature' and 'Le Charivari.'

7.

Daumier once painted a portrait of Don Quixote that is now more famous than his political works.

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Hard
✓ TRUE

His series of Don Quixote paintings, like 'Don Quixote and Sancho Panza,' are among his most celebrated works today, rivaling his satirical lithographs.

8.

Daumier was nearly blind by the end of his life, yet still managed to sculpt.

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Hard
✓ TRUE

He suffered from severe cataracts in his later years, but his tactile skill allowed him to continue creating small clay sculptures by touch.

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