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Andrei Tarkovsky Trivia Questions

How much do you really know about Andrei Tarkovsky? Below are 8 true or false statements. Click each one to reveal the answer and explanation.

1.

Tarkovsky directed exactly seven feature films, counting 'The Steamroller and the Violin' as his first.

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Easy
✓ TRUE

His filmography includes seven features: The Steamroller and the Violin (1961) through The Sacrifice (1986), with no other completed features.

2.

Tarkovsky won the Palme d'Or at Cannes for 'The Sacrifice' shortly after his death.

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Medium
✗ FALSE

He won the Grand Prix (second prize) at Cannes 1986 for The Sacrifice, not the Palme d'Or; he died later that year from cancer.

3.

Tarkovsky’s 'Solaris' was a direct response to Stanley Kubrick’s '2001: A Space Odyssey' and aimed to be its spiritual sequel.

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Medium
✗ FALSE

Tarkovsky disliked 2001’s cold technology focus; Solaris was a philosophical counterpoint, but not a sequel—he called Kubrick’s film 'sterile.'

4.

Tarkovsky's film 'The Sacrifice' was shot entirely in Sweden with a Swedish cast and crew.

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Medium
✓ TRUE

Filmed on Gotland, Sweden, in 1985, it starred Swedish actors like Erland Josephson and was Tarkovsky’s only film made outside the Soviet Union.

5.

Tarkovsky's father, Arseny Tarkovsky, was a famous poet whose verses appear in several of Andrei’s films.

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Medium
✓ TRUE

Arseny’s poetry is recited in Mirror, Stalker, and Nostalgia, deeply influencing Andrei’s poetic cinematic style and personal themes.

6.

Tarkovsky actually directed a Hollywood blockbuster in the 1970s but it was never released.

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Medium
✗ FALSE

He never worked in Hollywood; he rejected offers from Hollywood producers to maintain artistic freedom, and no such unreleased blockbuster exists.

7.

Tarkovsky once buried a live horse on set for a scene in 'Andrei Rublev' to achieve realism.

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Hard
✓ TRUE

For the Mongol invasion scene, the crew built a platform over a pit and used a real horse; it was not killed—the fall was staged with careful planning.

8.

Tarkovsky originally planned 'Stalker' as a comedy before rewriting it as a dark philosophical drama.

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Hard
✗ FALSE

Stalker was always a serious adaptation of the Strugatskys’ novel 'Roadside Picnic'; no comedy version was ever developed or planned.

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